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, by Joseph Alexander
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Product details
File Size: 10271 KB
Print Length: 108 pages
Publisher: Fundamental Changes (March 23, 2013)
Publication Date: March 23, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00CLNXGH8
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Amazon Best Sellers Rank:
#49,281 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I'm in my 60's, and I've been playing guitar and other stringed instruments (mandolin, fiddle, banjo) for most of my life. I've always depended on my ear, which is pretty good, and on the bits of theory I'd pick up here and there. Mostly I've played out of patterns, major scales, and minor pentatonic scales. A lot of guitar can be played out of patterns, but I've always felt I was missing a whole world of possible sounds and expressions, and decided to do something about it. I began buying books on various aspects of guitar playing, mostly tending toward jazz chords, arpeggios, extensions, and that sort of thing. I've found a few books worth studying, but this one, The Practical Guide to Modern Music Theory for Guitarists, is definitely the one I'd be happy to refer any guitarist looking to better his/her playing abilities. Mr. Alexanderbegins the book with a fairly complete look at how music works--the major scale, minor scales, how chords are built, common chord progressions, and the like. I thought I knew most of this stuff, but he managed, with straightforward, clear expositions, to fill me in on details that I hadn't realized I hadn't known.The meat of the book, once the preliminaries are out of the way, focuses on modes and how they can be utilized; building chords on the individual degrees of each mode, soloing, and much more. There's much work to be done by the student here, but much to be gained. I've been working with the Dorian mode to begin, but I'll be utilizing the information in this well-written book for many months, at least. I feel like my playing has already benefitted from the studies presented here, though I've only begun. I can't recommend this book highly enough to my fellow guitarists.
This book is pretty good. I have accrued a lot of theory books over the years, I pick them up whenever I can, each one usually has at least one thing that it explains better than the others. I am a guitarist, but I tend to prefer books that cover theory in a more generalized, instrument agnostic fashion. I dunno, I think this stuff just gels better with me when it's more abstract.I think this book in particular is a great starter book for guitarists that want to play basic, traditional rock-n-roll. While it does have some good information about diatonic scales and modes, there's a pretty strong slant towards pentatonic playing... that can be good or bad depending on what you're trying to accomplish.This book is straightforward and easy to understand, and honestly better than most of the shorter theory books out there. There is one thing that It does a great job at hammering home: the difference between a mode and a position... this particular topic is a bit of a pet peeve of mine because it was something I had a lot of problems with when I was younger. I don't know, I guess I've always found the complete lack of clear information on this topic frustrating. It makes me wonder how many instructors understand it themselves?Worth a look for sure.
This guy really knows how to write an instruction book that is actually useful. After buying a few titles on Amazon and being disappointed, Joseph's books have been by far the most useful (at this time I have three of his books).I have been an acoustic-strumming-only guitar player for years. I bought an electric a few years ago, but I have basically been playing it like an acoustic. Now I'm really trying to expand my playing. I do know quite a bit of music theory for a non-pro musician. That knowledge let me skim through the first section of the book and get to the modal exercises which is more "guitar specific". Great help in learning to improve my lead guitar playing.Most instruction books like this have a CD with the physical book, but offer nothing for Kindle versions making the books worthless. However, with this book you get to download the audio from his web site. Very awesome. And if you want the book as PDF, he'll send that also.
Very clear explanation of music theory, including the straightforward ways to work with the circle of 5ths, using the guitar fretboard as the basis of where the notes are rather than a keyboard is much easier to directly equate to the instrument. The audio examples I downloaded to go with the book are also clearly marked within the book. Following along and playing, or just listen, then play, then re-listen you know if you have the concept down. Not quite like being in a private lesson, but like any other learning task, you get out of it what you put in. I'm learning more about playing guitar through this book than I have with just playing chords from a music book over the last 35-40 years. The lessons are in small enough chunks to not be overwhelming, but are still pushing the reader forward with the concepts. This would be a good book for anyone who even just wants a refresher on music theory applied to playing guitar. I'm about halfway through, but have looked ahead to see how all is building steadily. Like all books of this format, you'll need something to hold it open, in particular when new.
I have several guitar books by Joseph Alexander and have found them all to be "breathrough" type of books. I have played guitar on and off for many years and am now ready to settle down to some serious study in my retirement. I have taken basic music theory and some ear training so I am already familiar with some of the fundamentals but what I love about this book is how it applies music theory to the guitar. Most of time theory is taught in relation to the piano. I love how the author breaks down each concept and there is plenty of application through short drills along with audio files to hear what the concepts sound like. I want to put in a good musical foundation to grow on and I think this book is the perfect teacher. And speaking of teachers, most teachers don't teach you anything about theory, only about chords or chord forms. Also I like that I can do this at my own (sometimes slow) pace. Bravo!
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